| FlashForward 1-9: "Believe" |
| Commentary - Featured |
| Written by EJ Feddes |
| Monday, 08 March 2010 14:00 |
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We start four weeks before the Blackout – Bryce is getting a diagnosis of Stage IV Cancer. The doctor tells him that he’s pretty much out of options. He then backs into a classic car in the parking garage. The owner yells at him, and Bryce pulls forward and hits the car again. And again. Finally he gets out of his car and walks away. Two weeks before the Blackout, we see a young woman wearing a business suit in We jump to the hospital, where Olivia and Bryce are in surgery, and he’s unable to answer any of her questions about the thing that they are currently doing. She tells him to think seriously about whether he’s committed to the medical profession. Back to Cut back to Bryce, admitting to his therapist that he’s not a very good doctor. His session is intercut with footage of him preparing for his suicide on Blackout Day. And then we see him walk out on the pier, but the gun to his head, and then the Blackout hits. Then we see Bryce’s Flash, he’s in a Japanese restaurant, which seems to actually be in We return to the present, where Bryce is taking Rosetta Stone lessons in Japanese. He is not very good at it. He takes a break to throw up, and then looks through his sketchbook full of drawings of Keiko. Man, she is so going to think that’s creepy when they finally meet. Aaron’s cleaning up around the house when his cell rings – Mark confronts her about the text – she admits that she doesn’t know who sent it. He wonders why she didn’t mention it, but they’d already talked about it before she had the chance to bring it up. She doesn’t think the text itself is a big deal. At the hospital, Olivia tries to send Bryce home – he’s pale and shaky, and then he almost falls over. He finally comes clean that he’s having chemotherapy and that he has renal cell carcinoma. Olivia is shocked – he’s known for a year and hasn’t told anybody. He assures her that he’s going to be fine, because now he has something to live for. At Aaron’s house, In the FBI meeting room, an analyst is presenting findings to Mark, Stanford, Demetri, and Vreede. Vreede! I missed that big lug. They blew up the Suspect Zero video as much as they could and managed to get a detail from his ring – it’s the Greek letter Alpha. Mark asks why they can’t enhance his face, and the analyst gives a technical explanation that you don’t want me to bother with. Stanford isn’t thrilled that they don’t have more information. Finally, the NSA analyst admits that one of their group has been red-flagged. It’s Demetri! He received a call from a monitored phone. Specifically, the woman who called him and told him when he would die. Demetri demands more information and gets right up in the poor woman’s face. And now, it’s back to She walks into a board meeting, and it suitably honored. Then the President of the company tells her to serve them tea. She’s the only woman in the department, so of course it’s her job. Now, is this really a thing in Mark comes to see Aaron at an AA meeting. He tells Aaron about the text Olivia got, and says he only told two people that he was drinking in his Flash. Aaron gets the hint, and he lights into Mark for what he’s suggesting. Like, I understand Mark’s point, but Aaron’s his sponsor, and for him, that’s a sacred trust. Mark should know that. Plus, he knows damn well that Aaron’s dealing with some pretty serious stuff with And with that, it’s back to Late at night, Mark stops by Stanford’s office to tell him that he got the copy of Demetri’s phone call. And because he doesn’t learn anything, he asks Stanford if maybe he send Olivia that text. Stanford’s the only other guy who knew that Mark was drunk, and Stanford, like Aaron before him, is beyond pissed that Mark would accuse him of tattling to his wife. Stanford kicks him the hell out of his office. Hey, Mark? Did it ever occur to you that somebody who saw you in their flash told Olivia? This is the kind of thing that should occur to you, you know. Bryce visits the Japanese patient from earlier, and she is proud of how his second language is progressing. He shows the lady his drawing of Keiko, and the lady points out that, on her shirt, is the logo of a Bryce visits the sushi restaurant, and his Japanese isn’t good enough to keep up. He shows the waiter his drawing of Keiko, and the waiter thinks he’s looking for a hooker. Hee. Finally, one of the chefs recognizes Keiko. Meanwhile, Keiko’s telling her mother that she quit her job. They are talking ridiculously fast. I think Keiko and her mother are the Japanese Gilmore Girls. In the conference room, Demetri, Mark, and Vreede listen to the phone call again. Vreede analyzed the background noise and heard the “Symphony of Lights”, a song that plays every night in Bryce, and I think he’s going too far, knocks on Keiko’s door. Seriously, he knows that he will have met her by April 29. He’s getting a little bit too stalker for my tastes. Keiko’s mother says she has no idea who this is, which is the reasonable thing to do when a crazy-looking white guy shows up at the door with a pencil sketch of your daughter. Bryce calls Nicole to vent about how crappy he feels. Nicole tells him he needs to be patient, and it’s weird to find myself agreeing with her since I still think of her as Jane Sterling on Mad Men. Aaron’s sitting at home looking glum. There’s a knock on the door. It’s Mark, and he wants to talk. He leads off with an apology, which is a good move. Aaron’s still pretty mad, and he’s frustrated that Bruce returns to Next week: We finally get caught up – just in time for new episodes to start airing. Hey, you know a great way to build up interest in your show? Just knock off for 3 ½ months in the middle of the season!
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